Krikorian, Marina R.

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  • Publication
    Mediating Islamic State: Introduction
    (2020-01-01) Kraidy, Marwan M.; Krikorian, Marina R.
    How does the group that calls itself “Islamic State” communicate? How has Islamic State been understood and contested? This Special Section gathers emergent scholarly voices, many deploying humanistic inquiry, to probe a phenomenon that has predominantly been the province of social scientists, to explore and understand the players, patterns, and practices that have mediated Islamic State: the communicative ways in which the group has been studied, reported on, visualized, narrated, mocked, spoofed, and resisted. We use “mediation” rather than “media” to shift public discourse on Islamic State beyond the focus on technology that has characterized research on media and sociopolitical change generally, and Islamic State communication in particular. We seek to understand the historical, ideological, technological, and cultural complexity of Islamic State, meshing translocal struggles with global geopolitics. Mediation connotes a broad approach to media, which includes words, images, bodies, platforms, and the expressive capacities and meaning-making practices that communicators generate when they deploy these media.
  • Publication
    The Revolutionary Public Sphere: The Case of the Arab Uprisings
    (2017-01-01) Kraidy, Marwan; Krikorian, Marina
    The popular rebellions that swept Arab countries starting with Tunisia in December 2010 spawned an active sphere of dissenting cultural production. Although media harnessed by revolutionaries include public space, graffiti, street art, puppet shows, poetry, songs, cartoons, digital art, and music videos, many analyses have focused on social media as digital platforms. Social media and mobile telephones introduced a new element to political activism, but the focus on technology provides a partial understanding of activist communication. A more comprehensive picture of dissent in the Arab uprisings requires us to understand how revolutionaries have represented themselves and how various media, digital and otherwise, were incorporated in these communicative processes. In other words, we need to focus on the myths, ideologies, and histories that inspired slogans, murals, and poems and made them socially relevant and politically potent—of the creative permutations of symbols, words, images, colors, shapes, and sounds that revolutionaries deployed to contest despots, to outwit each other, to attract attention, and to conjure up new social and political imaginaries. Together, the articles in this Special Issue accomplish just this task. Originally presented at the inaugural biennial symposium of what was then the Project for Advanced Research in Global Communication in 2013, the articles you are about to read exemplify one of the fundamental principles undergirding the institutional mission of the Center for Advanced Research in Global Communication: a robust dialogue between theoretical advances on one hand, and deep linguistic, cultural, historical knowledge of the world region under study, on the other.