Enderle, Scott

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Now showing 1 - 2 of 2
  • Publication
    Common Knowledge: Epistemology and the Beginnings of Copyright Law
    (2016-03-01) Enderle, Jonathan Scott
    Literary critics’ engagement with copyright law has often emphasized ontological questions about the relation between idealized texts and their material embodiments. This essay turns toward a different set of questions—about the role of texts in the communication of knowledge. Developing an alternative intellectual genealogy of copyright law grounded in the eighteenth-century contest between innatism and empiricism, I argue that jurists like William Blackstone and poets like Edward Young drew on Locke’s theories of ideas to articulate a new understanding of writing as uncommunicative expression. Innatists understood texts as tools that could enable transparent communication through a shared stock of innate ideas, but by denying the existence of innate ideas empiricists called the possibility of communication into question. And in their arguments for perpetual copyright protection, eighteenth-century jurists and pamphleteers pushed empiricism to its extreme, linking literary and economic value to the least communicative aspects of a text.
  • Publication
    Novel Properties: Communication, Copyright, and the British Novel, 1710-1774
    (2011-01-01) Enderle, Scott
    Literary investigations of copyright have generally taken a retrospective view of British eighteenth-century copyright law. Influenced by the assumptions and methods of historical materialism, and aiming to critique romantic notions of authorship, such projects have sought in the eighteenth century a narrative of the 'rise of the romantic author.' Though productive, this approach has sometimes obscured other influential strains of thought about authorship, interpretation, and literary property that were widespread in the eighteenth century. This dissertation seeks to shift focus away from the historical materialist critique of romantic authorship--part of a debate that has its roots in the nineteenth century--and towards a related but characteristically eighteenth-century debate between innatism and empiricism. Roughly speaking, this debate was over whether 'ideas' (however defined) are innate, present in the human mind from birth, or are acquired exclusively through experience. Discussions of literary property in the eighteenth century concerned themselves with this debate precisely in so far as literature may be said to involve the production, transmission, or consumption of ideas. To reexamine the rise of copyright law in Britain within the frame of this debate, this dissertation examines court records and other legal documents that discussed copyright law and the related notion of a property in ideas; philosophical tracts that attempted to define the term 'idea' and explain the origin of ideas; and literary works that problematized the production, transmission, consumption, and interpretation of literary ideas. Read alongside one another, these texts reveal a proliferation of models through which to understand the novel concept of literary property. To explore the question of whether the ideas in a text could be communicated without being made common, these texts drew on a wide range of metaphors--political sovereignty, land ownership, marriage, mathematical proof, and sentimental exchange--to serve as models of communication. Each of these models had different implications for the concept of literary property, and many of them were compatible with literary property, while remaining incompatible with romantic notions of authorship. The association between copyright and romantic authorship, then, is not necessary but contingent, subject to transformation by the accidents of history.