Though distanced in time by centuries, Nabokov's Lolita and Chaucer's Miller's Tale are both structured around young and girlish figures, or fanciulle. Both authors, too, apply three layers of male narration to their female protagonists, inviting the reader-critic into their worlds first as a voyeur tempted by sexual stimulus and distancing him/her from the fanciulle. However, as the reader continues, s/he must work detectively to uncover the young female figure, discovering along the way her depth of character, as expressed through ribaldry, rebellion, and the only true language with which she knows how to express herself successfully – her sexuality. The detective reader is ultimately rewarded with the discovery of Lo and Alisoun's complexity, and of an awareness of the function of such figures in the Western imagination.