Mollifying the Muses: An Exploration of Conflict in the Life and Works of Iannis Xenakis

Loading...
Thumbnail Image
Penn collection
CUREJ - College Undergraduate Research Electronic Journal
Degree type
Discipline
Subject
Architecture
Music
Acoustics
Soundscapes
La Tourette
Philips Pavilion
Polytopes
Game Theory
Stochastic Probability
Architecture
Richard Wesley
Wesley
Richard
Architectural History and Criticism
Composition
Music Performance
Other Architecture
Other Music
Funder
Grant number
License
Copyright date
Distributor
Related resources
Contributor
Abstract

The early life of Iannis Xenakis, a modern day Renaissance scholar who would come to redefine the limits of musical composition and sound-driven spatial design in the 21st century, was overshadowed by adversity, conflict and alienation. Fleeing from his home country in 1947 after a nearly fatal wound to the face during the Greek Revolution, Xenakis' newfound life and career in the atelier of French architect Le Corbusier allowed for the budding engineer to explore a collective passion for music and mathematics within his work. Nevertheless, just as a giant facial scar would stand as a permanent physical symbol for the brutality Xenakis experienced, one can easily detect similar memories of a chaotic past embedded in the compositional framework of the avant-garde designer/composer, tormented by tension and estranged symbols of war. By analyzing these immersive elements of conflict and duality which characterized Xenakis' creative methodologies, one may begin to formulate an innovative discourse in the development towards new experiential musically influenced performance spaces.

Advisor
Richard
Wesley
Date Range for Data Collection (Start Date)
Date Range for Data Collection (End Date)
Digital Object Identifier
Series name and number
Publication date
2014-03-28
Journal title
Volume number
Issue number
Publisher
Publisher DOI
Journal Issue
Comments
Recommended citation
Collection