In five critical essays on Dante extending from 1945 to 1999 Mario Luzi presents his view of the Divina Commedia as a living work that requires its readers to enter into its internal creative process in order to comprehend its moral and teleological meanings. At the center of the essays is the figure of Dante, identical to the poem’s protagonist, whose absolute identification with the objects of his thought gives rise to a poetry of prophecy, proclamation and testimony rooted in the experience of exile. Dante sees exile as the universal condition of humanity, which presupposes a spiritual struggle and itinerary on the part of the individual: from the “allora” of sin and perdition to the “non ancora” of penitence and expiation, and hence to the prospect of salvation. In closing, the essay considers the relation between Luzi’s critical Dantism and the impact of Dante on his poetry.