Departmental Papers (History of Art)
Document Type
Journal Article
Date of this Version
5-2-2012
Abstract
Kota Ezawa
Kota Ezawa is a Japanese-German artist currently based in San Francisco. He re-creates, frame by frame, animated sequences from television, cinema, and art history using basic digital drawing and animation software. He has had solo exhibitions at venues that include The Box, Wexner Center for the Arts; Hayward Gallery, London; the Wadsworth Atheneum, Hartford; and the Santa Monica Museum of Art.
in Conversation with Karen Beckman
Karen Beckman is the Elliot and Roslyn Jaffe Professor of Cinema and Modern Media and interim chair of the Department of the History of Art at the University of Pennsylvania. She is an editor of Grey Room.
Recommended Citation
Beckman, K. (2012). Animation, Abstraction, Sampling: Kota Ezawa in Conversation with Karen Beckman. Retrieved from https://repository.upenn.edu/histart_papers/5
Included in
History of Art, Architecture, and Archaeology Commons, Interdisciplinary Arts and Media Commons
Date Posted: 28 August 2013
Comments
Beckman, K. (2012). Animation, abstraction, sampling: Kota Ezawa in conversation with Karen Beckman. Grey Room, 47, 98-109. doi: 10.1162/GREY_a_00072
© 2012 by Grey Room, Inc. and the Massachusetts Institute of Technology. This journal can be found online at http://www.mitpressjournals.org/toc/grey/-/47