Clarence H. White Reconsidered: An Alternative to the Modernist Aesthetic of Straight Photography
| dc.contributor.author | Yochelson, Bonnie | |
| dc.date | 2023-05-17T17:11:54.000 | |
| dc.date.accessioned | 2023-05-23T04:35:59Z | |
| dc.date.available | 2017-04-27T00:00:00Z | |
| dc.date.issued | 2017-05-19 | |
| dc.date.submitted | 2017-04-27T19:41:47-07:00 | |
| dc.identifier.uri | https://repository.upenn.edu/handle/20.500.14332/48494 | |
| dc.legacy.articleid | 1228 | |
| dc.legacy.fulltexturl | https://repository.upenn.edu/cgi/viewcontent.cgi?article=1228&context=svc&unstamped=1 | |
| dc.source.beginpage | 24 | |
| dc.source.endpage | 44 | |
| dc.source.issue | 3 | |
| dc.source.journal | Studies in Visual Communication | |
| dc.source.peerreviewed | true | |
| dc.source.status | published | |
| dc.subject.other | Communication | |
| dc.subject.other | Critical and Cultural Studies | |
| dc.subject.other | Film and Media Studies | |
| dc.subject.other | Photography | |
| dc.subject.other | Social and Cultural Anthropology | |
| dc.subject.other | Visual Studies | |
| dc.title | Clarence H. White Reconsidered: An Alternative to the Modernist Aesthetic of Straight Photography | |
| dc.type | Other | |
| digcom.date.embargo | 2017-04-27T00:00:00-07:00 | |
| digcom.identifier | svc/vol9/iss4/3 | |
| digcom.identifier.contextkey | 10090748 | |
| digcom.identifier.submissionpath | svc/vol9/iss4/3 | |
| digcom.type | contents | |
| dspace.entity.type | Publication | |
| relation.isJournalIssueOfPublication | efba58a2-2483-4823-8e58-ec1dea14a1bf | |
| relation.isJournalIssueOfPublication.latestForDiscovery | efba58a2-2483-4823-8e58-ec1dea14a1bf | |
| relation.isJournalOfPublication | 3af6aee2-88ca-42ae-a074-54b557114443 | |
| upenn.schoolDepartmentCenter | Studies in Visual Communication |
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