Departmental Papers (Classical Studies)

Document Type

Journal Article

Date of this Version

2002

Publication Source

The American Journal of Philology

Volume

123

Issue

4

Start Page

623

Last Page

627

DOI

10.1353/ajp.2003.0005

Abstract

I cannot remember a time when scholarly interest in a particular classical author was equaled, and maybe exceeded, by a popular enthusiasm measured in weeks on the best-seller lists, boffo box office, and Tony awards. But this seems now to have happened with Ovid. Latinists for some time have been taking Ovid much more seriously than they had done, making his poetry a vehicle for new directions in their work. Over roughly the same period, we have seen Ovidian novels by David Malouf, Christoph Ransmayr, and Jane Alison; fresh translations and ambitious reworkings by Ted Hughes and other poets; and now a remarkable new play by the extraordinary Mary Zimmerman (Circle in the Square, New York, N.Y., from 4 March 2002).

Copyright/Permission Statement

Copyright © 2002 Johns Hopkins University Press. This article first appeared in The American Journal of Philology 123:4 (2002), 623-627. Reprinted with permission by Johns Hopkins University Press.

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Date Posted: 12 December 2016