Among the central critical issues surrounding Ovid's Metamorphoses--indeed, underlying many of this challenging text's unsolved problems--is the question of genre. Is the poem epic or a species of epic (e.g., anti-epic, epic parody, elegized epic, or epicized elegy); a type of Kollektivgedicht, stringing together either a series of examples from some miniature form such as the epyllion, or else sampling now one genre, now another; or is it simply unique, resisting any effort at categorization? Despite the intelligent and detailed discussion that the question has received during the past seventy-five years, it is safe to say that no critical consensus has emerged.