Undergraduate Humanities Forum 2005-6: Word & Image

 

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Papers from 2006

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A Way of Seeing What Can Be Looked At: Visual Perception in Avant-Garde Cinema, Cristina Alberto

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Vladimir Dimitrov-Maistora’s Bulgarian Madonna: Creed, Criticism, Propaganda, Valentina Assenova

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The Contemporary Haggadot: Interrelations between Text and Iconography, Sarah Breger

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The Curatorial Voice in Contemporary America, Lisa Bubbers

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Envisioning Cultural Visions: Visual Arts in the Poetry of T.S. Eliot, Janine Catalano

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Made in the USA: Rewriting Images of the Asian Fetish, Maggie Chang

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Artist Statement, Rebekah Flake

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CartoGraphica, Tara Krueger

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Robert Venturi and Denise Scott Brown's Confrontation with Postmodernity, Gerard Leone

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Gallimaufray and Hellebore: Edmund Spenser and Ben Jonson in Dialogue with the Past, Ruth M. McAdams

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Magrebines: Historical Representations of North African Women in 19th-Century French Oriental ism and Post-1950s North African Narrative, Tara Mendola

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Naked Power: The Phallus as an Apotropaic Symbol in the Images and Texts of Roman Italy, Claudia Moser

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Reducing the Round Table: Visual and Textual Narrative Redaction in Medieval Arthurian Romance, Jonathan N. Passaro

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You Must Be a Duet in Everything: An Examination of the Body in Wyndham Lewis's Tarr, Lindsey Schneider

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Epic Illustrations: Vergil's Aeneid in the Vergilius Vaticanus, Kelly Sloane

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From Pictogram to Pinyin. . .And Beyond, Wun Ting Wendy Tai

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Redux: Graphic Novels Detached from Words, Connie Yang