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<title>Poetics Studies Papers</title>
<copyright>Copyright (c) 2013 University of Pennsylvania All rights reserved.</copyright>
<link>http://repository.upenn.edu/poetics_papers</link>
<description>Recent documents in Poetics Studies Papers</description>
<language>en-us</language>
<lastBuildDate>Wed, 23 Jan 2013 21:03:30 PST</lastBuildDate>
<ttl>3600</ttl>








<item>
<title>Words with &quot;All the Effects of Force: Cold-War Interpretation</title>
<link>http://repository.upenn.edu/poetics_papers/10</link>
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<pubDate>Tue, 20 Jul 2010 10:22:38 PDT</pubDate>
<description>
	<![CDATA[
	<p>A review of two books about cold-war prospecutions of communists becomes an essay on free speech, academia, literary intention and cold-war interpretation of language.</p>

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</description>

<author>Alan Filreis</author>


<category>articles/essays</category>

</item>






<item>
<title>Stevens in the 1930s</title>
<link>http://repository.upenn.edu/poetics_papers/8</link>
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<pubDate>Tue, 20 Jul 2010 10:22:37 PDT</pubDate>
<description>
	<![CDATA[
	<p>An overview of Wallace Stevens' poetic response to radical poets and ideas in the American 1930s.</p>

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</description>

<author>Alan Filreis</author>


<category>book chapters</category>

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<item>
<title>Tests of Poetry</title>
<link>http://repository.upenn.edu/poetics_papers/9</link>
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<pubDate>Tue, 20 Jul 2010 10:22:37 PDT</pubDate>
<description>
	<![CDATA[
	<p>Contribution to a forum convened by Robert von Hallberg to consider literary history as a method applied to poetry & poetics.</p>

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</description>

<author>Alan Filreis</author>


<category>articles/essays</category>

</item>






<item>
<title>Review of &quot;Wallace Stevens across the Atlantic&quot;</title>
<link>http://repository.upenn.edu/poetics_papers/7</link>
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<pubDate>Tue, 20 Jul 2010 10:22:36 PDT</pubDate>
<description>
	<![CDATA[
	<p>Review of a book of essays about Wallace Stevens and Europe, edited by Bart Eeckhout and Edward Ragg, published by Macmillan in 2008.</p>

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</description>

<author>Alan Filreis</author>


<category>reviews</category>

</item>






<item>
<title>Review of Leggett, Wallace Stevens &amp; Poetic Theory</title>
<link>http://repository.upenn.edu/poetics_papers/6</link>
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<pubDate>Tue, 20 Jul 2010 10:22:35 PDT</pubDate>
<description>
	<![CDATA[
	
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<author>Alan Filreis</author>


<category>reviews</category>

</item>






<item>
<title>Review of Forms of Farewell by Charles Berger</title>
<link>http://repository.upenn.edu/poetics_papers/5</link>
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<pubDate>Tue, 20 Jul 2010 10:22:34 PDT</pubDate>
<description>
	<![CDATA[
	
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</description>

<author>Alan Filreis</author>


<category>reviews</category>

</item>






<item>
<title>Still Life without Substance: The Poetics of Agency</title>
<link>http://repository.upenn.edu/poetics_papers/4</link>
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<pubDate>Tue, 16 Feb 2010 08:38:20 PST</pubDate>
<description>
	<![CDATA[
	<p>A historical semiotic reading of poems Wallace Stevens wrote out of his relationship with French agents for the acquisition of paintings.</p>

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</description>

<author>Alan Filreis</author>


</item>






<item>
<title>Selecting Three Poems by W. Stevens: A Roundtable Discussion</title>
<link>http://repository.upenn.edu/poetics_papers/3</link>
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<pubDate>Mon, 01 Feb 2010 07:58:24 PST</pubDate>
<description>
	<![CDATA[
	<p>Three poems by Stevens indicate a particular aesthetic predicament, expressions of near-cessation: "Mozart, 1935," "The Man with the Blue Guitar," and "The Plain Sense of Things." In the third poem, the imagination re-emerges at precisely the point of its termination. In the second, the poet ventures into pure sound just when an ideological model for the poem collapses. In the first, the poem is the result of a dodge on the matter of others' pain.</p>

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</description>

<author>Alan Filreis</author>


</item>






<item>
<title>The Stevens Wars</title>
<link>http://repository.upenn.edu/poetics_papers/2</link>
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<pubDate>Tue, 26 Jan 2010 07:05:50 PST</pubDate>
<description>
	<![CDATA[
	<p>This paper surveys the responsiveness of contemporary poets to the writings of Wallace Stevens in the period between 1975 and the present.</p>

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</description>

<author>Alan Filreis</author>


</item>






<item>
<title>Sound at an Impasse</title>
<link>http://repository.upenn.edu/poetics_papers/1</link>
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<pubDate>Mon, 23 Nov 2009 08:09:55 PST</pubDate>
<description>
	<![CDATA[
	<p>This brief paper presents six reasons why studies of sound in the poetry and poetics of Wallace Stevens have been delayed or suppressed.</p>

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</description>

<author>Alan Filreis</author>


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